Duterte cinema

Heneral Luna (2015) (d. Jerrod Tarog)Felix Manolo (2015) (d. Joel Lamangan) Been thinking about the two unlikely blockbuster films in the Philippines: Heneral Luna and Felix Manalo. These two very different biopics seemed to complement one another. Both features outsider-visionaries of the Philippine State (Luna) and the Philippine Church (Manolo). The former is about political …

Mock trials

T-Bird at Ako (1982) (d. Danny Zialcita) Caught a bizarre, enjoyable Tagalog film on TV starring Nora Aunor and Vilma Santos, two of the country’s top leading ladies and box office rivals, with overt lesbian overtones. Both women usually represent the Nation: Aunor is darker-skinned while Santos is much fairer and has the much-prized Hispanic features. …

Final solutions

Avengers: Endgame Game of Thrones 8×3: The Long Night It’s no accident that both the Avengers movie and the much anticipated GoT episode were programmed over the same weekend, ideologically. They both delivered the same message that the masses have accepted the inevitable catastrophe of climate change and that it’s acceptable that the group most …

Disregarding the pain of others

Russian Dolls Season 1 (Netflix) Hear me out. This is regarding the somewhat amusing Netflix comedy Russian Dolls. Spoilers, obviously. At the root of the show is the female protagonist’s trauma living with a mentally unstable mother. She can’t quite move on, dying and reliving her catastrophic 34th birthday. Because she’s now at an age …

Carrefour

Crossroads (1928) (d. Kinugasa Teinosuke) Spring on an Island (1940) (d. Toyoda Shiro) Quick impressions on two films. Older Japanese works startling in their use of male subjectivity as site of confrontation with nationhood and modernity. Usually, it’s the female consciousness and body that’s at stake. Up first is Crossroads (Jujiro) by the auteur behind …

Fishy marxism

Mermaid Legend (1984) (d. Ikeda Toshiharu) An amazing female revenge fantasy marred by sexploitation and horror tropes. There’s absolutely no reason for the extended sadistic sex scenes and scenes of (blurred) nudity except as box office titillation, which doesn’t make much sense since it’s an art film (ATG-branded) with a quasi Marxist agenda. Wait maybe …

Design a site like this with WordPress.com
Get started